Feeds:
Posts
Comments

Posts Tagged ‘art’

"The Day of the Dead": Adrian Henri

A quite unusual picture of Hope Street! Artist and poet Adrian Henri was at the centre of the thriving cultural scene in Liverpool 8, especially in the Hope Street area. He taught in the art college, and was often to be seen upstairs in O’Connors Pub at the corner of Pilgrim Street – now a costume hire shop but then on the circuit that took in the Everyman Bistro, the Philharmonic (pub), the Cracke and The Pilgrim. Henri performed his poetry along with the likes of The Scaffold (including Roger McGough, John Gorman and Mike McGear ) and as leader of the poetry-rock band Liverpool Scene.

In the painting, among the figures in the crowd are artists and writers William Burroughs, Alien Ginsberg, Frida Kahlo, Ed Kienholz and Henri’s Liverpool painter friend, Sam Walsh. In the main painting shown here the white suited, pipe-smoking figure on the far left is Malcolm Lowry. Lowry was the alcoholic author of the brilliant novel, Under the Volcano. He was brought up in Birkenhead and referred to Liverpool as that terrible city whose main street is an ocean. Apart from the opening chapter, the novel is all set on the Mexican Day of the Dead when the hopelessly drink-soaked Consul who is the subject of the book dies. There is a very good overview of Lowry himself in a Guardian article.

Henri also painted another imaginative piece, The Entry of Christ into Liverpool. This refers back to James Ensor’s 1889 painting, The Entry of Christ into Brussels. It is fascinating to see how we can put imaginative ‘maps’ or ‘representations’ over the everyday city we inhabit.

The Entry of Christ into Liverpool

Figures in the painting include the Beatles, John Gorman and Roger McGough (Scaffold), William Burroughs, Charlie Mingus (jazz musician), Arthur Dooley (the Liverpool sculptor), James Ensor as Christ on the donkey, and many of Henri’s friends.

 

“The Liverpool Scene”

From Henri’s poem, The Entry of Christ into Liverpool:

City morning, dandelion seeds      blowing from wasteground
smell of overgrown privethedges.   children’s voices
in the distance.    sounds from the river.
round the corner into Myrtle St.   Saturdaymorning shoppers
then
down the hill
THE SOUND OF TRUMPETS
cheering and shouting in the distance
children running
icecream vans
flags breaking out over buildings
black and red green and yellow
Union Jacks   Red Ensigns
LONG LIVE SOCIALISM
stretched out against the blue sky
over St George’s Hall
now the procession
THE MARCHING DRUMS

Obituary of Adrian Henri

Advertisements

Read Full Post »

Opposite the Municipal Buildings is this large banner made by artist David Jacques. It’s part of 2011’s being City of Radicals, marking both the centenary of the general transport strike in the city and the death as a pauper of Robert Tressell who wrote The Ragged Trousered Philanthropists. David is also exibiting an installation at the Walker Art Gallery which we’ll turn to in a moment.

If you look at the apparently random tiles of type and symbols below you’ll make out the phrase, “the  great money trick’. This is taken from Tressell’s novel. We discussed it in November last year and put up a post which includes an extract fully explaining the great money trick which you can read here

At the Walker Art Gallery   accompanying the  exhibition a short text tells of the discovery by the caretaker on the fourteenth floor of Irlam House, a tower block, of a stash of banners and designs left by the mythological art collective which has abandoned the dwelling.  Jacques has long been fascinated with trade union banners, and the imagined banners here are set in contrast with the commercialised production of slogans, mottoes, banners by nineteenth century entrepeneur George Tutil whose work was commissioned not only by trade unions but by the likes of the Orange Lodge and temperance movements. The caretaker (now embarked on an hilariously titled PhD) negotiates with a curator leading, one assumes, to their eventual exhibition, classification and so forth in an art gallery. The last line of the text has the caretaker saying that he personally thinks his find would be best left in the street.

There’s a great review of the exhibition by our very own Denis who’s now writing for Manchester Salon which you can read here.

Read Full Post »